Blade Runner (4-Disc Special Edition) with Harrison Ford: DVD Cover
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Blade Runner (4-Disc Special Edition)
a.k.a. Blade Runner Director: Ridley Scott Cast: Harrison Ford, Rutger Hauer, Sean Young, Edward James Olmos

DVD - 4 Disc Set - 4-Disc Collector's Edition / Wide Screen Learn more

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  • DVD Release Date: 12/18/2007
  • Original Release: 1982
  • Rating: Rated R
  • Sales Rank: 9,667
More FormatsOnline Price
DVD - 2-Disc Special Edition$18.89
DVD - Wide Screen / Director's Cut$13.49
Blu-ray - Remastered / Special Edition / Wide Screen / Restored$39.99
 
  • Overview
  • Editorial Reviews
  • Scenes
  • Customer Reviews
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Scenes

Features

The Final Cut (2007): Digitally restored and remastered, incorporating new footage and special effects never before seen; The Final Cut (2007): Sountrack remastered in Dolby Digital 5.1; The Final Cut (2007): Introduction by director Ridley Scott; The Final Cut (2007): 3 filmmaker commentaries, including one by Ridley Scott; Dangerous Days: Making Blade Runner - definitive documentary incorporating outtakes, deleted scenes and all-new interviews; the ultimate look at the movie's difficult creation and controversial legacy; Three Complete Archival Versions: 1982 U.S. Theatrical Cut, 1982 International Theatrical Cut and 1992 Director's Cut, all seamlessly branched and separately available on one disc with introductions of each version by Ridley Scott - all versions digitally restored and remastered from original elements for enhanced picture and audio; Enhancement Archive: Audiovisual mosaic of more than a dozen segments chronicling aspects of the production, plus focuses on Syd Mead, Jordan Cronenweth, DVD restoration and vintage featurettes

Full Product Details

Scene Index

Disc #1 -- Blade Runner: The Final Cut
1. Credits and Foreword [2:58]
2. Eye on the City [1:33]
3. Emotional Response [2:52]
4. Interrupted Sushi [3:53]
5. Old Blade Runner Magic [1:40]
6. Replicants in Question [3:59]
7. Rachael: Voight-Kampff Test [5:40]
8. Leon's Hotel Room [2:25]
9. Chew's Visitors [2:53]
10. If Only You Could See [2:23]
11. Someone Else's Memories [5:57]
12. Pris Meets Sebastian [5:10]
13. Deckard's Dream [:53]
14. Esper Enhancement [3:32]
15. Manufactured Skin [2:47]
16. Miss Salome [6:34]
17. Pursuing Zhora [2:08]
18. Retirement... Witnessed [2:17]
19. How Many to Go? [2:04]
20. Wake Up, Time to Die [1:26]
21. I Owe You One [4:27]
22. Say "Kiss Me" [4:54]
23. Only Two of Us Now [3:33]
24. We Need You, Sebastian [3:58]
25. Right Moves [2:22]
26. Prodigal Son Brings Death [4:38]
27. No Way to Treat a Friend [1:32]
28. Death Among the Menagerie [5:16]
29. Proud of Yourself? [2:51]
30. Wounded Animals [4:17]
31. Building Ledge [1:24]
32. The Roof [1:54]
33. To Live in Fear [1:24]
34. Like Tears in Rain [3:08]
35. Souvenir [3:17]
36. End Credits [5:08]
Disc #3 -- Blade Runner: U.S. Theatrical Cut (1982)/International Theatrical Cut (1982)/Director's Cut (1992)
1. Credits and Foreword
2. Eye on the City
3. Emotional Response
4. Interrupted Sushi
5. Old Blade Runner Magic
6. Replicants in Question
7. Rachael; Voight-Kampff Test
8. Leon's Hotel Room
9. Chew's Visitors
10. If Only You Could See
11. Someone Else's Memories
12. Pris Meets Sebastian
13. Esper Enhancement
14. Manufactured Skin
15. Miss Salome
16. Pursuing Zhora
17. Retirement... Witnessed
18. How Many to Go?
19. Wake Up, Time to Die
20. I Owe You One
21. Say "Kiss Me"
22. Only Two of Us Now
23. We Need You, Sebastian
24. Right Moves
25. Prodigal Son Brings Death
26. No Way to Treat a Friend
27. Death Among the Menagerie
28. Proud of Yourself?
29. Wounded Animals
30. Building Ledge
31. The Roof
32. To Live in Fear
33. Like Tears in Rain
34. Souvenir
35. End Credits
1. Credits and Foreword
2. Eye on the City
3. Emotional Response
4. Interrupted Sushi
5. Old Blade Runner Magic
6. Replicants in Question
7. Rachael; Voight-Kampff Test
8. Leon's Hotel Room
9. Chew's Visitors
10. If Only You Could See
11. Someone Else's Memories
12. Pris Meets Sebastian
13. Esper Enhancement
14. Manufactured Skin
15. Miss Salome
16. Pursuing Zhora
17. Retirement... Witnessed
18. How Many to Go?
19. Wake Up, Time to Die
20. I Owe You One
21. Say "Kiss Me"
22. Only Two of Us Now
23. We Need You, Sebastian
24. Right Moves
25. Prodigal Son Brings Death
26. No Way to Treat a Friend
27. Death Among the Menagerie
28. Proud of Yourself?
29. Wounded Animals
30. Building Ledge
31. The Roof
32. To Live in Fear
33. Like Tears in Rain
34. Souvenir
35. End Credits
1. Credits and Foreword
2. Eye on the City
3. Emotional Response
4. Interrupted Sushi
5. Old Blade Runner Magic
6. Replicants in Question
7. Rachael; Voight-Kampff Test
8. Leon's Hotel Room
9. Chew's Visitors
10. If Only You Could See
11. Someone Else's Memories
12. Pris Meets Sebastian
13. Esper Enhancement
14. Manufactured Skin
15. Miss Salome
16. Pursuing Zhora
17. Retirement... Witnessed
18. How Many to Go?
19. Wake Up, Time to Die
20. I Owe You One
21. Say "Kiss Me"
22. Only Two of Us Now
23. We Need You, Sebastian
24. Right Moves
25. Prodigal Son Brings Death
26. No Way to Treat a Friend
27. Death Among the Menagerie
28. Proud of Yourself?
29. Wounded Animals
30. Building Ledge
31. The Roof
32. To Live in Fear
33. Like Tears in Rain
34. Souvenir
35. End Credits

Scene Index

Editorial Reviews

One of the most beautiful and visually influential science-fiction films ever made, Blade Runner established a futuristic film-noir style that combines and transcends the sci-fi and detective genres while pondering the nature of what it means to be human. Set in 2019, Los Angeles, director Ridley Scott's adaptation of author Philip K. Dick's Do Androids Dream of Electric Sheep? stars Harrison Ford as world-weary android-hunter Rick Deckard, who slogs through the nightmarishly run-down, overcrowded urban dystopia that L.A. has devolved into, attempting to find and kill four escaped "replicants" -- physically superior artificial people bred for slavery. In the process of his investigation, he falls in love with a next-generation replicant (Sean Young), who is initially unaware that her human "memory" is largely implanted. Rutger Hauer, as the dangerous yet tragic replicant leader, and William Sanderson, as and infirmed, soul-burdened tinkerer who helped design the androids, turn in performances as stunning as the film's production design. For Blade Runner: The Director's Cut (1992), Scott removed Ford's noir-ish narration, changed the happily-ever-after ending (which had been added at the studios insistence), and added a short, dreamlike scene involving a unicorn that expanded Deckard's unspoken anxiety over his own murky nativity. Frank Lovece, Barnes & Noble

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Customer Reviews

Another Lookby Anonymous

Reader Rating:
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June 04, 2008: I have taken another look at my past criticism of the Director’s cut. That fine-tuning improved and clarified the narrative. The added footage of the unicorn did the same. The two disc set was a great joy and the four disc set was well worth buying. I am tempted to write more, but the film deserves better than I can give it today. This is a great set to own. The film is a masterwork. The final cut is the best version. I think that the voice over can be fun to hear, but it adds nothing essential to the narration.

A Beginning and an End, Lacking Substanceby Anonymous

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May 10, 2008: Blade Runner, while undoubtedly an imaginative feat, cannot be logically elevated to the position of "remarkable", and barely attains "passable". The beginning is compelling and forces the viewer immediately into the story, and Harrison Ford is quick to display his lovable roguish personality, yet gradually descends from there. In addition, the ending is masterful and heartrenching, as well as thought-provoking and intelligent. Yet the concept of humanoid robots, regardless of the fancy name "replicants" they are embellished with, is far from original (Look at I Robot, Robot Series, Foundation Series, 2001 Space Oddyssey, etc. etc.). Additonal concepts within the film, such as the gravitic cars, large digital billboards, etc. are present in films such as the Fifth Element, I Robot, Starship Troopers, and even Star Wars. In other words, the film lacked substance, and was often dull and repetitive. This is not to discredit Harrison Ford, however, who remains commanding in any role. In regards to those certain reviwers who refer to Star Wars fans as "childish", I personally very deeply regret that you lack the depth and penetration of thought to appreciate true art and a saga that embraces all of mankind when it is thrust so obviously before you.


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