Black Cat with Patrick Magee: DVD Cover

    Black Cat
    a.k.a. Gatto Nero Director: Lucio Fulci Cast: Patrick Magee, Mimsy Farmer, David Warbeck, Al Cliver

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    • DVD Release Date: 04/24/2007
    • Original Release: 1981
    • Rating: Not Rated
    • Sales Rank: 28,233

    Viewer Rating: (1 ratings)

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    • Overview
    • Editorial Reviews
    • Scenes
    • Cast & Crew
    • Full Product Details

    Features

    Theatrical trailer; Lucio Fulci bio

    Full Product Details

    Scene Index

    Disc #1 -- The Black Cat
    1. Program Start/Backseat Driver [1:58]
    2. The Black Cat (Main Titles) [4:09]
    3. Skeletons in the Shadows [4:23]
    4. Young Lust [5:54]
    5. Speaking With the Dead [3:15]
    6. Disappearance [3:42]
    7. "Death Is Not the End" [4:19]
    8. Fatal Plunge [5:39]
    9. Crime Scene Photography [3:39]
    10. Visions of Death [3:24]
    11. Eyes in the Dark [3:17]
    12. Inferno [2:17]
    13. "If He Was Human, We'd Hang Him" [4:05]
    14. The Shadow of Death [4:01]
    15. Under Investigation [3:02]
    16. Dangerous Attraction [4:00]
    17. Feline Terror [4:18]
    18. Jill's Discovery [4:19]
    19. Voices of the Damned [2:42]
    20. "Cats Take Orders From No One" [4:04]
    21. Bat Attack [3:38]
    22. Buried Alive [3:38]
    23. Madman's Deception [3:42]
    24. The Cat's Meow [2:42]
    25. End Credits [1:21]

    Scene Index

    Editorial Reviews

    Italian goremeister Lucio Fulci applies his characteristic touch to the Edgar Allan Poe tale (of which very little remains intact) to tell the story of a deranged, wheelchair-bound English psychic (Patrick Magee) who can record the voices of the dead on tape, and apparently possesses the ability to channel evil spirits into the body of his cat -- which he then commands to take vengeance on his enemies. When a freelance crime photographer (Mimsy Farmer) notices traces of feline claw-marks on the bodies of accident victims, her own investigations eventually lead her to Magee's naughty kitty... leading to a confusing climax wherein it is learned (sort of) who's really in charge. Remarkably restrained horror from the man behind such flesh-rending epics as Zombie and The Gates of Hell, this is also nearly incomprehensible, possessing a nightmarish lack of cohesion that is more irritating than frightening. In fact, the most horrifying thing about this film is Fulci's aggressive tendency to shoot super-tight widescreen close-ups of Magee's eyes and nose. Cavett Binion, All Movie Guide

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