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Closed Caption; Making-of featurette; Battlestar Galactica: The Lowdown; Audio commentary
Full Product DetailsSide #1 -- Side A
1. "It Has Begun" [4:53]
2. Decommissioning the Galactica "Main Titles" [5:58]
3. Playing With Starbuck [8:02]
4. Dr. Gaius Baltar [2:39]
5. Wecome Aboard Apollo [8:29]
6. Heart to Heart [7:26]
7. "Humanity's Children Are Returning Home" [6:19]
8. Caprica Under Attack [2:30]
9. Condition One, Ready for Action [8:56]
10. Running Into Trouble [8:55]
11. Brace for Contact [9:21]
12. Winning the Lottery [6:43]
13. Taking Command [12:24]
14. Struggle to Survive [1:24]
15. Search for Ammunition [7:47]
16. Left Behind [9:57]
17. What if God Made a Mistake? [8:35]
18. Enemies Are Among Us [8:10]
19. Detecting Cylons From Humans [8:31]
20. War, A Futile Mission [13:27]
21. Action Stations! [7:51]
22. Legend of the 13th Tribe [8:13]
23. There Are Only Twelve Models [9:22]
24. End Titles [5:25]
The original Battlestar Galactica, developed for TV in 1978 by producer Glen A. Larson in response to the phenomenal success of Star Wars, was a space opera in the grand old tradition: floridly melodramatic and more than a little campy. That can't be said of the 2003 miniseries, which reimagines Larson's show with relative sobriety and downplays the original's outlandish elements. As the story begins, it has been 40 years since the end of the First Cylon War, and the human survivors of Earth's 12 Colonies are about to decommission their last battleship, the Galactica. At precisely this moment the long-dormant Cylons mount a new offensive designed to wipe out humanity once and for all. Edward James Olmos makes a less avuncular and more hard-nosed Commander William Adama than did Lorne Greene in the earlier version. Jamie Bamber portrays Adama's son Lee, code-named "Apollo." In a welcome bit of surprise casting, Lee's buddy "Starbuck" -- Dirk Benedict in the earlier series -- is played by a woman, Katie Sackhoff, and the male-female competition creates a dynamic that heightens tension and supplies some gently humorous touches as well. Olmos also gets support from Mary McDonnell as Laura Roslin, an administrator who has assumed responsibility for thousands of civilian refugees. Usually seen in more serious fare, McDonnell makes an interesting foil for the grizzled combat veteran played by Olmos. And, of course, let's not forget the human turncoat Baltar (James Callis), whose treachery facilitates the Cylon scheme. Callis isn't as overtly smarmy as his Larson-era counterpart John Colicos, but his villainy is no less deep-dyed. Producer Ronald D. Moore, who created the Star Trek spin-off Deep Space Nine, mounts a very elaborate production, and director Michael Rymer eschews flamboyant heroics in favor of darker shadings in the material. As a result, this miniseries will appeal not only to lovers of the Larson show but also to sci-fi fans accustomed to the more complex and sophisticated genre offerings that have blanketed the small screen over the last decade. Ed Hulse, Barnes & Noble
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