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Closed Caption; Feature commentary track w/ director Atom Egoyan; Deleted scenes with optional commentary; "Making of Ararat" featurette; "Arsinée Khanjian on Ararat" featurette; Film short "Portrait of Arshile" with optional commentary; Raffi's video footage; Historical information; Theatrical trailer; DVD-ROM links; Dolby digital 5.1 surround; Dolby DTS 5.1 surround; Dolby digital 2.0 stereo; Widescreen (1.78:1) - enhanced for 16 x 9 televisions
Full Product DetailsSide #1 -- Disc 1
1. Opening Credits [:01]
2. Cultural Differences [4:34]
3. Normal Relations [4:32]
4. Making an Effort [3:34]
5. Tracing the Past [4:11]
6. Survivor Stories [6:12]
7. Re-Creating History [3:44]
8. Poetic License [2:28]
9. Cause and Effect [5:30]
10. Politically Sensitive [2:33]
11. Expressing Gratitude [2:14]
12. Deliver Us From Evil [2:34]
13. Systematic Destruction [5:25]
14. Tragic Heroes [4:05]
15. Threat to Security [3:08]
16. Anatomy of Hatred [4:03]
17. Private Viewing [6:05]
18. Gorky's Pain [4:47]
19. Story Left Untold [3:50]
20. Facing the Truth [3:09]
21. Sacred Code [3:46]
22. Crimes Against Humanity [2:12]
23. Mother and Child [2:39]
24. Long Road Home [5:01]
25. Exposing Evil [5:58]
26. Redemption [7:08]
27. Father's Ghost [3:14]
28. End Credits [3:38]
A breathtaking rumination on history, art, and compulsion, Atom Egoyan's Ararat is at once the Armenian-Canadian director's most urgent and personal work. A meld of haunted feelings, the film is also a rare look at the repercussions of the Armenian genocide of 1915, during which one million people were exterminated by the Turkish government. As in his masterpiece The Sweet Hereafter, Egoyan braids several disparate stories, eschewing sentimentality. The movie begins with Armenian-American artist Arshile Gorky in a loft, painting his landmark Mother and Son, and then cuts to the present day, where mother and son Ani (Arsinee Khanjian) and Raffi (David Alpay) are sifting through their various tensions. Raffi is returning from Turkey with some film to be used on a production about the 1915 genocide, and he is detained by customs inspector David (Christopher Plummer). In the meantime, director Edward Saroyan (Armenian-French vocal legend Charles Aznavour) is trying to fold a Gorky into his movie at the behest of the screenwriter (Eric Bogosian). Ani, an art historian, comes aboard as a consultant but bristles at the prospect of signing off on the film-in-the-making's dramatic license -- including the displacement of Armenia's legendary Mount Ararat itself. As the pieces begin to fit together, Ararat's historical perspective and significance take shape, thanks to the cast's all-around graceful performances. Like Polanski's The Pianist, one comes away from Ararat with the feeling that the story gestated in its creator for a long time, and the rewards come in the form of the obvious commitment and emotion that Egoyan brings to the table. Eddy Crouse, Barnes & Noble
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