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Commentary by Barbra Streisand; Additional scenes ; Wardrobe tests; Soundtrack remastered in Dolby Digital 5.1 ; A Star Is Born trailer gallery
Full Product DetailsDisc #1 -- Star Is Born
1. A Star Is Late (Credits) [3:56]
2. Watch Closely Now [2:19]
3. Hellacious Acres [2:45]
4. Bobby Talks Tough [2:10]
5. Queen Bee [4:12]
6. Everything - Plus a Brawl [3:25]
7. Ball of Fire Inside [3:30]
8. Breakfast Pizza [3:07]
9. Outdoor Concert [3:06]
10. Watch Closely Now [2:38]
11. Motorcycle Spill [2:51]
12. Cosmic Joke [2:54]
13. Shattered Relations [3:21]
14. Radio Station Reunion [2:19]
15. Wall Painting [3:41]
16. Lost Inside of You [5:12]
17. Lovers [3:35]
18. Not Bad for Him [1:54]
19. Evergreen [3:06]
20. Woman in the Moon [7:05]
21. I Believe in Love [4:38]
22. Married [3:05]
23. Average Ranch [4:07]
24. Persuading a Damn Fool [4:48]
25. Let Her Go [2:07]
26. Solo Spotlight [2:42]
27. Another Look [3:25]
28. With One More Look at You [3:11]
29. Messages for Esther [2:30]
30. Grammy Awards [4:34]
31. I Wish I Could Just [4:37]
32. Quentin Seeks an Interview [3:57]
33. Love/Hate/Love [3:31]
34. Just Looking [4:04]
35. Speeding Over the Hill [3:14]
36. End of the Road [3:25]
37. Empty House [3:33]
38. With One More at You, Watch Closely Now [8:28]
39. End Credits (Evergreen) [2:41]
The third screen version of this classic backstage drama -- first produced in 1937 with Janet Gaynor in the lead and remade more famously in 1954 with Judy Garland starring -- showcased Barbra Streisand in what was her best screen work up to that time. Though Elvis Presley was originally envisioned as Streisand's costar in this 1976 hit, singer-songwriter-actor Kris Kristofferson ultimately got the role of John Norman Howard, the past-his-peak rocker who crumbles as his lover becomes a star. He’s riveting in the role of a performer who routinely blows off tour dates, raises hell at the ones he makes, and alienates just about everybody with whom he comes into contact. His lone supporter is Streisand, a big-hearted backup vocalist who becomes his lover, works her way up from obscurity to acclaim, and desperately attempts to salvage the self-destructive Howard. The screenplay, by John Gregory Dunne and Joan Didion, unflinchingly focuses on the soul-deadening parade of sex, booze, drugs, and general '70s-era rock-star excesses, while also maintaining the romantic connection that binds the Streisand and Kristofferson characters. The film’s strengths lie in its star performances, Streisand’s superlative musical numbers, and the excellent work of supporting players Paul Mazursky, Gary Busey, and Sally Kirkland. Ed Hulse, Barnes & Noble
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