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Commentary by director David Cronenberg; Acts of Violence minidocumentary gallery; 3 featurettes: Violence's History: United States vs. International Version, Too Commercial For Cannes, the Unmaking of Scene 44; Deleted scene: scene 44; Theatrical trailer
Full Product DetailsKnown for surrealist films and a fascination with grotesqueries, Canadian filmmaker David Cronenberg won accolades for this seemingly straightforward adaptation of John Wagner and Vince Locke's graphic novel A History of Violence. The tale introduces Tom Stall, an upstanding citizen of Millbrook, Indiana, an idyllic American small town where everyone seems to be on a first-name basis. Tom, portrayed by Lord of the Rings star Viggo Mortensen, lives a happy, ordinary life with his pretty wife (Maria Bello), teenage son (Ashton Holmes), and young daughter (Heidi Hayes). But one day, two "bad men" walk into Tom's diner, intent on holding the place up and leaving no witnesses alive. In self-defense, Tom kills the two criminals and is labeled an American Hero by the media, though he is uneasy with all the attention. For good reason: soon, three more "bad men" come to town, one of whom (Ed Harris) claims to know Tom -- though he calls him Joey -- and is looking to settle an old score. A History of Violence is the kind of all-American movie that could only be made by someone from Canada, a country that's superficially similar to its southern neighbor but does not share its fascination with guns. Everything is a little too perfect, too nice in Millbrook, and from the unforgettable single-take opening sequence on, tension and dread hang heavy in the air. Cronenberg manages to have his cake and eat it too, crafting a film that works both as a revenge thriller and social critique. Performances from the entire cast are strong but not flashy, apart from William Hurt's brief, hammy, Oscar-nominated turn as a ghost from Tom's past. Although Cronenberg restrains his penchant for gore, the film's brutal acts still register viscerally -- making a strong case that no matter how justified, violence is rarely worth the consequences. Bill Pearis, Barnes & Noble
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