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Alternate ending; deleted scenes; behind-the-scenes featurette; interview with Wong Kar Wai, Tony Leung, and Ziyi Zhang; music video; photo gallery.
Full Product DetailsDisc #1 -- 2046
1. Start [:41]
2. Leaving Shanghai [3:06]
3. Hong Kong Lulu [1:26]
4. 2047 [2:35]
5. Two Daughters [:23]
6. 2046 [:02]
7. Miss Bai [1:50]
8. A Token [1:44]
9. Christmas [1:45]
10. A Fine Joke [:50]
11. Ten Dollars [1:38]
12. Short on Cash [:34]
13. A Warning [2:13]
14. "Pay Up." [:02]
15. Volume [1:48]
16. Crossed Paths [2:13]
17. Jingwen's Letter [:32]
18. Collaboration [3:05]
19. Android [:02]
20. "I'll Be Your Tree." [1:20]
21. The Five Decays of Celestial Beings" [2:31]
22. Another Christmas [:37]
23. Santa Claus [2:55]
24. Sad Ending [:05]
25. Drinking Pals [4:04]
26. Black Spide [:29]
27. What He Was Looking For [:03]
28. Memories [6:11]
Hong Kong filmmaker Wong Kar-Wai crafts an elegant, episodic expression of yearning and regret in 2046, an oblique and indirect sequel to his 2001 masterpiece, In the Mood for Love. In fact, top-billed Tony Leung plays one Chow Mo Wan, which was also his character's name in the earlier film. He's writing a futuristic science fiction novel from a hotel room, next door to one that has housed a string of his lovers. There's Lulu (Carina Lau), a hooker who is murdered after meeting Chow. Then there's Jing (Faye Wong), the hotel owner's daughter, who loves a Japanese man but finds herself drawn to the writer. And there's Bai Ling (Ziyi Zhang), another prostitute, who eventually becomes Chow's confidante and drinking partner. None of them, however, compares to Su Li Zhen (Gong Li), the woman he left in Singapore before taking up residence in the hotel. It's difficult to convey more of the plot because, frankly, there isn't more of a plot. Wong Kar-Wai is a visual stylist with few equals today, and 2046 reflects his passion for imagery. The women, beauties all, are lovingly photographed in carefully lit settings. Baroque architecture, intricately textured surfaces, and coils of wafting cigarette smoke embellish the richly colored images and establish a dreamy mood that lulls the viewer into a languid state. The significance of the number 2046 is never really explained; it's both Chow's room number and the year in which his novel is set. That’s just one of the puzzling things about this endlessly fascinating film. You won't know exactly where 2046 is going, but you'll want to stay with it for the entire journey. Ed Hulse, Barnes & Noble
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