DVD - Special Edition / Wide Screen / Uncensored / Subtitled Learn more
Closed Caption; 1900: The Story, The Cast - Director/screenwriter Bernardo Bertolucci and director of photography Vittorio Storaro share how the film's casting process worked; 1900: Creating an Epic - Bernardo Bertolucci and Vittorio Storaro reflect on the difficult production and on the film's controversial theatrical release
Full Product DetailsDisc #1 -- 1900
1. The War Is Over [12:56]
2. It's a Boy [11:57]
3. Peasants and Patrons [12:06]
4. Family Affairs [9:55]
5. A Patriach's Will [15:06]
6. Time for a Sacrifice [11:43]
7. The Strike [6:38]
8. Everything's Changed [8:09]
9. In the Name of the Law [14:28]
10. Free Love [16:15]
11. Silly Joke [16:12]
12. United [17:59]
Disc #2 -- 1900
1. The City Life [8:38]
2. A Funeral and a Wedding [14:58]
3. Watch Dog [14:28]
4. Accused [8:49]
5. The Party Is Everywhere [8:23]
6. Crazy NovemberChapter 6 [18:07]
7. Old Acquaintance [8:41]
8. A Widow's Home [8:43]
9. Runaways [7:03]
10. Fascists and Socialists [16:07]
11. Enemy of the People [12:09]
12. Padrone Is Alive [13:51]
With such credits as the erotic milestone Last Tango in Paris and his Oscar-winning The Last Emperor Bernardo Bertolucci enjoys a sterling reputation. It is the director's sweeping yet unconventional epic 1900, though, that many see as his masterpiece. 1900 sprawls from its eponymous beginning through the middle of the 20th century with effortless grace, presenting the epic saga of two men born on an Italian estate in the year 1900. Alfredo Berlinghieri (Robert De Niro) will grow up to replace his grandfather (Burt Lancaster) as the "Padroné" -- the landowner. Olmo Dalco (Gérard Depardieu) is a bastard peasant; raised in the vast, lower class Dalco clan under Leo Dalco (Sterling Hayden). As they grow, the men are like brothers, but the world around them drags them apart. As the farms industrialize and the peasants lose their jobs, Olmo joins the socialist party to organize the workers for protection. The frightened landowners turn to the psychotic Attila (Donald Sutherland, never more frighteningly effective on screen) and his fascist black-shirted brethren. Alfredo, while opposing the fascists, feels trapped by his traditional role and cannot fight them. This impotence drives away his wife and one true love, Ada (Dominique Sanda), and alienates him from Olmo. Deftly weaving numerous characters into a tapestry of humanity, Bertolucci and his cast create a magically realistic film, both more gritty and lyrical than most American epics. 1900 is so gorgeously compelling, it's hard to imagine anyone hitting the "pause" button during 1900. Matthew Johnson, Barnes & Noble
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